Two New Nebraska Writers Guild Anthologies

by David Kubicek

Stories from the HeartlandStories from the Heartland, the fifth volume of the Nebraska Writers Guild’s (NWG) annual Voices from the Plains series, was released the first week in December. The anthology contains short stories, poetry, flash fiction, nonfiction, novel excerpts, and memoirs written by NWG members.

My story “A Place of Their Own” is included in the short story section. I wrote this story for a writing workshop at the University of Nebraska-Lincoln (UNL) in the summer of 1976. The story is set in my first apartment. I polished the prose because I am, I hope, a much better writer now than I was 45 years ago. I also updated it, giving my characters cell phones and increasing the rent slightly. For instance, in the story Chris and Jennifer pay $100 a month for the apartment; when I lived there, I paid $67.40.  Why it was $67.40 is something known only to my landlord and God. Why not $65 or $70, or even $67 or $68. What was the 40 cents for?

The Kindle eBook of Stories from the Heartland is $3.99 and the paperback is $18.99. It can be purchased from Amazon and Barnes & Noble and may be available from other online dealers.  

Flashes from the PlainsAbout a week after Stories from the Heartland came out, the NWG released Flashes on the Plains, the organization’s first flash fiction anthology. For this collection, flash fiction–what we called short short stories in the olden days–are stories of 1,000 words or fewer. There are 18 stories in this book, which makes it no more than 18,000 words of fiction, which makes it a slim volume–67 print pages counting Margaret Lukas’s introduction but not counting the index of stories and authors.

I have two stories–“An Evening Stroll” and “Spare Parts”–in this anthology, and I wrote both of them in the spring of 2021. I called on my subconscious to write “An Evening Stroll”; by thinking about it intensely before I went to sleep at night, my subconscious turned it over while I slept, and when I woke up I had the story. Your subconscious can be a great tool if you put it to work.

The eBook of Flashes from the Plains is $1.99 and the paperback is $8.99, and it can be purchased from Amazon .

The NWG is one of the oldest continuous writers organizations in the United States. It was founded in 1925 and counts Mari Sandoz, Bess Streeter Aldrich, John G. Neihardt, and Willa Cather among its first members. 

For more information about David Kubicek’s books click here.

Cat and Dog Tales, Part I

by David Kubicek

I love animal cartoons, especially when they involve cats and dogs. Having been a pet human of several cats and dogs, I recognize that every good dog or cat cartoon is based on a truth about that particular animal’s personality. This is the first of two (or three?) character sketches of cats and dogs that I’ve known.

WHISKERS

Whiskers and ScooterWhiskers was a blue-eyed gray and white kitten who was given to us by someone who found him abandoned in an alley when he was five months old. We had a black Lab named Kabella, and we were told to separate the two of them for a while so they would get used to each other’s scents.

We used “toddler gates” left over from when our son was a toddler to block off doorways and keep the animals apart. Whiskers, as cats will do, ignored those boundaries–this is one of the cat character traits that gave rise to the old saying: “Curiosity killed the cat.” So those first few nights, my wife and I would be awakened often by a low growl coming from Kabella, who was sleeping on the floor beside our bed–Whiskers had jumped over the gate and was exploring the dog’s turf.

THE “GODFATHER” OF THE NEIGHBORHOOD

Whiskers survived those first crucial days and came to dominate the household. Once when I let Kabella out the back door at 6 a.m. to do her business, Whiskers was sitting in the garden courting a kitty who sat atop the six-foot wooden fence that surrounded the yard. Kabella saw the strange kitty and took off barking across the yard. The kitty leaped off the fence and was gone. Whiskers, annoyed, glanced over his shoulder at the charging dog.  When she came within range, Whiskers reached out calmly and swatted Kabella’s face. The dog stopped abruptly and was silent. She gave her head a quick shake, glanced around in confusion, and wandered off.

WhiskersKabella wasn’t hurt because Whiskers had no claws on his front feet. But Whiskers had delivered his message. He’d told the dog, in no uncertain terms, to chill out.

Being clawless on his front paws was not an inconvenience. Whiskers could easily and quickly scale the back fence. We would often see him sitting atop one of the posts surveying his territory. When he got tired of sitting he would jump down on the other side and go prowling about the neighborhood. He actually became the Lord of the neighborhood, the “Godfather” of cats, if you will–even other tough Tom cats bowed to his prowess. Despite his lack of claws, he could still catch mice and other small animals. After one successful hunt I learned that cats hold grudges.

One time I opened the back door to let Whiskers in and found a dead mouse lying at my feet. Whiskers looked like he would burst because he was so proud of the gift he’d presented to me. But unthinkingly, I spurned it. I threw it in the trash, and Whiskers walked around in a huff for the rest of the day.

A PILLAR OF STRENGTH

Whiskers on top of the cupboardIn the living room there was a ledge at the top of the stairs that led down to the basement. Whiskers liked to sleep on that ledge. One time in his sleep he rolled over and plummeted 15 feet to the basement floor. We rushed to the ledge in alarm and peered over the ledge. Whiskers was standing, looking around sheepishly. The only thing injured was his pride. Apparently, there is some truth to the old saying that cats always land on their feet.

Whiskers stayed strong and flexible until the end of his life. When he was 90 in human years, he could still jump up on the kitchen cabinet, and from there to the top of the refrigerator, and finally to the top of the kitchen cupboard where he would relax and survey his territory. I’d be ecstatic if I could jump up on top of the kitchen cupboard when I’m 90. I have little hope of that happening, though. It is a challenge for me now to climb up into the cab of an F-150 pickup truck.

For more information about my books click here.

When Martians Invaded Earth

by David Kubicek

War of the WorldsI was in elementary school when I first read about how the Orson Welles radio broadcast of H.G. Wells’ War of the Worlds scared the bejesus out of everyone.  Or at least that’s what my young mind got from it–Welles did this radio show about Martians invading Earth, and everyone thought it was real, and widespread panic ensued. I learned many years later that, like with most legends, the size of the panic has been greatly exaggerated over time.

This Saturday, October 30, 2021, marks the 83rd anniversary of that Mercury Theatre on the Air broadcast . The show began with an announcer breaking into a music program with a series of news bulletins about astronomers seeing flashes on the planet Mars, objects landing at Grovers Mill, New Jersey, and Martians emerging from said objects to zap people with death rays. The theory goes that listeners who tuned in late did not hear the announcement at the start of the program that it was fiction, so they believed the “news bulletins” were real.

There was even a 1975 TV Movie, The Night That Panicked America, about the making of the show and the panic that ensued. I’ve seen estimates that one million or more people were panic-stricken, but this seems unlikely since the listening audience wasn’t that big to begin with, and those who listened from the beginning of the program knew it was fiction. On that fateful Sunday evening the C.E. Hooper ratings service survey of 5,000 households found that only 2% were tuned in to Welles’ program, which was competing with the extremely popular ventriloquist Edgar Bergan and and his main wooden man, Charlie McCarthy.

The reason the producers decided to go with the news bulletin format was that the writer, Howard Koch, came to them in  distress because he couldn’t make an adaptation of H.G. Wells’ book interesting. So they used news bulletins. They also updated the story from 1897 to 1938, moved it from England to New Jersey, and used real names and slightly modified names of places to give it more of a real and immediate feel.

The show apparently caused a bit of a ruckus, mainly in New York and New Jersey.  Shortly after the show began at 8 p.m., CBS’s switchboard lit up like a Christmas tree with viewers asking if it was real. Reporters from various news outlets invaded the network’s office because they smelled a good story, and good stories sell papers.

Orson Welles worried that, at the ripe old age of 23, his career was over. He went on the air the following day, Halloween, to apologize for the broadcast and asked the viewers to think of it as a Halloween prank. But, arguably, the debacle may have given his career a boost. He was summoned to Hollywood where he made Citizen Kane.

I asked my mother or grandmother (it’s been so long that I don’t remember which) if she listened to the program. She said that they’d heard about it, and no, Grampa didn’t grab his shotgun and an extra box of shells and usher the family into the storm cellar.

If you want to hear the original Mercury Theatre on the Air production, I have linked to it above, but unless you are a true Martian invasion history buff, you might be disappointed. Because it is dull!

Or Maybe, having been a science fiction reader and writer for most of my life, I’m just jaded.

For information about David Kubicek’s books click here.

How Writers Can Find a Profitable and Flexible Side Gig

by Erica Francis

Writing Side Gigs

Image Via Pexels

As a writer, having time to create is essential. However, if it’s going to take some time to earn enough money from your writing to make ends meet, you may need something extra to keep your bills paid. In many cases, finding a profitable and flexible side gig is your perfect option.

Why Having a Side Gig Is Smart

Making ends meet as an independent writer or author isn’t always easy. That’s why having a side gig may be essential. It allows you to bring in extra income while maintaining flexibility.

With a side gig, you can choose projects that align with your skills and schedule. You can focus on assignments that pique your interest and leave you with enough time to create. Additionally, you can choose tasks that boost your writing skills, making you more effective when tackling your personal projects. Plus, some may help you grow your reputation as a writer, making it easier for you to make money off of your creations down the road. For example, you may be able to get a byline, allowing you to expand your online presence or boost your resume.

Types of Side Gigs for Writers

As a writer, you’ll usually have an easy time finding side gig opportunities that align with your skills. Both companies and individuals may look for writers to assist them with a range of projects if they feel they aren’t well equipped to express themselves effectively in writing. If you’re looking for side gigs, here are some types that are right up a writer’s alley:

● Copywriter
● Digital Branding Consultant
● eBook Ghostwriter
● Editor
● Guest Post Writer
● Ghost Blogger
● Proofreader
SEO Specialist
● Writing Tutor

Preparing for Side Gig Opportunities

Before you start looking for side gig opportunities, you want to take some time to prepare. Usually, potential clients will want to see samples of your past work, especially for higher-value projects.

Three approaches can be surprisingly effective.

First, you can start your blog to showcase your skills. As a bonus, this option might help you bring in some cash, too. Ads and affiliating marketing can generate some income, though it can take some time to earn enough for it to be meaningful.

Second, you can create an online portfolio. With this, you may display writing samples and links to any published work. When a potential client wants to see what you can do, you can direct them to the portfolio.

Third, you can simply collect links to articles you’ve written. Then, if a client asks for samples, you can send them the direct links.

Finding Profitable and Flexible Side Gigs

Once you know what kind of side gig you want, it’s time to find profitable and flexible opportunities. In many cases, the easiest place to start is online freelancing platforms like Upwork, Fiverr, or Guru. You may also want to check out FlexJobs and WeWorkRemotely. Along with some freelance-style gigs, you may find flexible part-time positions, giving you something more consistent or long-term.

Turning Your Side Gig Into a Business

If your side gig takes off, you may want to turn it into a full-fledged business. Usually, launching a business is easier than you would expect, especially if you approach it properly.

One key to startup success is starting a company you believe in, as that makes it more satisfying. Additionally, never promise more than you can deliver and treat people with respect. That way, you’ll cement your reputation. Also, invest enough time and energy into the business.

Companies need to be nurtured if they are going to thrive, so make sure you can make it a priority. Finally, make sure you have the right tools. Since you’re mainly working online, invest in a high-speed internet connection and have a backup option (like a mobile hotspot) in case your service goes down. Get enough storage for your work, including cloud services and portable hard drives, and perform backups regularly. Invest in spelling, grammar, and plagiarism checkers to ensure your work is always high-quality.

Erica Francis writes for Ready Job and thrives on helping young people prepare for the working world. She helps develop lesson plans and other educational resources, all geared toward helping the site’s visitors build the skills needed to excel in any workplace. Her website is readyjob.org
For more information about David Kubicek’s books click here.

Celebrate Banned Books Week 2021

banned and challenged books

by David Kubicek

Recently I saw a meme on Facebook that said: “A good library has something in it to offend everyone.” That is why (I believe) Banned Books Week was started–to celebrate those books that have offended certain groups of people throughout the years.  Celebrate  Banned Books Week 2021, which runs from September 26 through October 2, by reading a banned or challenged book. If you don’t know of any, here’s the American Library Association’s (ALA) list of the most banned and challenge books from 2010 to 2019 [fun fact: The Holy Bible is on this list].

There are lots of great books on this list (Looking for Alaska) and some not so great, or even good, ones (Fifty Shades of Grey). But many of them are “must reads” because they shine a light on ugly periods of our past or present and encourage us or warn us to do better (The Adventures of Huckleberry Finn, Anne Frank: Diary of a Young Girl, 1984, The Handmaid’s Tale). You may notice that some of the books in my montage above aren’t on the ALA’s list, but I assure you that all of them were banned or challenged at one time or another.

Being the decadent reprobate that I am, I’ve read many of the books that have at various times in our country’s history been challenged or banned. I even had my own brush, as an author, with a challenged book. Actually, I was the ghost writer (hired by the publisher), but it has been over 30 years so I doubt that the world will end if I reveal this secret now. The book was A Need To Kill, authored by Mark Pettit, who was a reporter for a local TV station and the only journalist (at least at that time) to have interviewed the serial child killer John Joubert (the subject of the book) in prison. The main problem with Mark’s manuscript was that he wrote it the same way he wrote news stories to be delivered in 30 seconds–just the facts. I added color and beefed up his original manuscript, even doing some of my own research (for instance, I researched the weather at the time of the murders so I could evoke the setting). Mark even gave me a shoutout in the introduction.

Some local group got upset and challenged A Need To Kill. I don’t know if that helped sales, but the first hardcover printing by Lincoln, Nebraska-based Media Publishing sold out in three days and Ballantine snapped up the paperback rights, publishing a mass market paperback edition later that year.

Challenging or banning books always creates interest and sells copies–something the book banners of the world never seem to understand. Someday I hope to have one of my own books, published under my own name, challenged or banned. For any of you writers out there, I hope you have the same luck.

But do celebrate Banned Books Week, which comes around every year in the last week of September, and celebrate the authors. You know you must have touched a nerve when certain people want to prevent others from reading what you have written.

For more information about David Kubicek’s books click here.

Editing Fiction is Subjective: The October Dreams Controversy

by David Kubicek

Editing fiction is subjective. The best stories don’t always make the most money while some seriously awful stories make millions.

An irritating misconception in our society is the notion that the size of one’s paycheck is in direct proportion to the quality and importance of one’s work. Unfortunately, this misconception is often applied to writers, even by other writers and editors, who should know that one editor’s gem is another editor’s piece of crap. Don’t believe me? Check out some rejections of famous writers here.

Many years ago Jeff Mason and I edited a collection of horror stories, October Dreams: A Harvest of Horror (Kubicek & Associates, 1989), because we weren’t happy with the quality of stories being published in the current crop of original horror anthologies. We thought we could do better, and judging from our book’sOctober Dreams reception, I think we succeeded, or at least we collected a group of horror stories as good as anything on the market.

After OD was highly recommended by Booklist, major distributor Baker & Taylor ordered it by the carton, making it  a best seller for our tiny company. One of the stories–“Mr. Sandman”, by Scott D. Yost–was selected for inclusion in Karl Edward Wagner’s The Year’s Best Horror Stories XVIIL Someone even tried to nominate OD for a Horror Writers of America award, which is where the trouble started.

We were informed that October Dreams was not eligible for an award because the writers were required to have been paid three cents per word or more to be considered “professional.” We’d had the audacity to pay our contributors one cent per word–which actually was per 1,000 copies printed, so with each printing our contributors would be paid again.

This set off a minor controversy. On one side were those of us who argued that work shouldn’t be judged by how much a writer is paid (writers are often undervalued anyway) but by how good the writing is. The other side argued–and these were mostly writers who met the three cents or more threshold–that writers had worked long and hard to be paid three cents a word or more and–God forbid–shouldn’t have to compete with writers who are paid less even if the story is better [my italics].

Professionalism does not have to do with how much writers get paid for their stories, nor does it have to do with how popular a writer is.  I know of one writer–who I will not name–who had a huge payday, on the order of $1,000 per word for two words, the words making up his famous name. The story attached to that name was utter garbage and would have been rejected immediately if it had been written by an unknown writer. 

Professionalism has to do with having cultivated the skill to tell a good story. It has to do with having learned the writing craft to tell it well. It has to do with having learned how to approach agents and editors when marketing your story. It has to do with how you handle rejection. And, above all, it means doing your best work even when you reach the level of fame where editors will pay you only for your name because your name will sell magazines.

Few writers are able to make a living writing fiction, and many highly-respected literary magazines pay only  in copies, and many excellent stories are rejected by many editors before they find a home. Editing is a subjective process and has more to do with how well an editor likes a story than on how well it is written or how much the writer is paid for it. A famous name on a story doesn’t necessarily guarantee its quality; how well the story is written does.

For more information about David Kubicek’s books click here.

 

Levelling Up: How To Turn Your Love Of Video Games Into a Career

by Micah Norris

According to data from this year, income from live streaming grew again by 26.9%, the competitive eSports industry climbed in value to over $1 billion, and the videogame market itself shot to $90 billion in value, dwarfing the worldwide box office. Forget what your parents told you: if you know which buttons to press, there’s a living to be made from playing games. Here are our best strategies to turn your love of video games into a career.

Content

Of all videogame-affiliated roles, the most sought-after is ‘content creator’. Content creators either stream live, construct videos or write material relating to their favorite video games. By entertaining viewers or readers, it’s possible to earn a high-income, but only with hard work and some good fortune – you’ll need 50,000+ YouTube views per day to reach $23 to $40,000 annually, according to estimates. This is a highly-saturated community so, for the best chances of success, identify a strong USP. Some content creators rely on humor (Videogamedunkey), some on skill (Ninja) and some on their unique perspectives (Girlfriend Reviews).

If self-streaming isn’t your thing, there are a number of other ways you can produce or become involved in the process of content creation. To keep up with soaring demand, gaming publications are constantly on the lookout for new writers, videographers, commentators and statisticians. As the market expands, new roles in this sector continue to sprout up and being involved in any capacity now is a sure-fire way to open up options in the future, especially as the industry continues to grow.

Competition

Another valid but difficult strategy for earning as a gamer is to compete. Professional gamers can pull in huge amounts of prize money but, as eSports is so accessible, the competition is fierce. A good way to improve your chances of success is to focus on games with widespread international appeal and large prize pools. Counter Strike Go, for example, yielded $14.75 million in prize money throughout 2020. Not all of this money is centered on the big, international tournaments – sometimes regional contests have impressive takings too. If you can recognize multiplayer games with high potential before they’ve reached mainstream popularity, you can hone your skills early and get ahead of the player base.

Competitive gaming is not all prize-orientated – increasingly, there are teams that offer their signed players a full-time wage. Some teams earn their revenue through sponsorship, some through winnings, and some through streaming-ad revenue. Earning a place on one will depend upon your personality, skill level and personal preference.

Creation

With the re-emergence of indie games, there are now more jobs than ever for entry-level or amateur game designers. Every studio, big or small, requires a few key components – writers, artists, programmers and testers. For larger companies, the roles expand to include managers, audio engineers and marketers and, in any one of these professions, your love of video games is directly applicable.

Acquiring the skills you need to work in the industry is easier than ever. You might, for example, consider a masters degree in IT. With advanced knowledge of information technology management, data analytics, data science, cyber security or technical support, you could immediately apply for roles at AAA game studios. Alternatively, you could assemble a portfolio of creative work and send it off to indie developers or collaborate with peers to build something entirely of your own.

With so many people vying for video game-related jobs, the industry can feel impenetrable. But don’t be discouraged by failure – in this growing medium, there is always another opportunity and only you get to decide when it’s game over.

MICAH NORRIS created king-rom.com after having trouble finding quality ROMs. He decided to build a site where he could compile the best sources of ROMs online. As a gamer he understands that PS1, PS2, Nintendo 64, Gameboy C/A, Nintendo DS, NES, and SNES ROMs are hard to find from trusted sources. He encourages gamers, new and old, to check out the ones he has found. His site will share information about ROMs as well as other gaming tips and resources.

For more information about David Kubicek’s books click here.

Planning is important, even for a Sure Thing

by David Kubicek

Halley's Comet
Halley’s Comet, May 5, 1910. Lowell Observatory, Flagstaff, Arizona

Years ago I learned that planning is important, even when a goal is far in the future, even when said goal seemed like a sure thing. To my utter chagrin, I had 20 years to plan and still got caught unprepared.

To understand how this catastrophe came about we have to go back to my high school years.

During junior and senior high school , I was an amateur astronomer. Although I’d been interested in space and space objects as early as elementary school, it was the appearance of the great comet Ikeya-Seki that stoked my passing interest in astronomy into a burning passion, and this passion is what stoked my interest in science fiction. I put a space picture on my short SF collection, Prospect Street, even though none of the stories deal with space. 

I went out searching for Ikeya-Seki, but because I didn’t know how comets really looked in the sky, I never managed to see it. It was supposed to be extremely bright, and it had a long tail, but it may not have been quite as noticeable as its pictures in Sky and Telescope magazine suggested.

To make a long story short, I missed the comet. But Halley’s Comet was coming in 21 years, and by that time I would know what to look for. Halley’s comet is a bright comet that has appeared reliably every 76 years dating back to ancient times (English astronomer Edmund Halley figured this out in 1682). Its appearance caused panic throughout history because people thought it portended disaster.

By 1987, when Halley’s Comet was at its brightest, I knew what a comet was supposed to look like in the sky. I was ready. Or I thought I was ready. Halley’s comet was supposed to be bright. It was supposed to be easily visible to the naked eye. Right?

Unfortunately, Halley’s Comet chose its 1986-87 return to be a dud.

Because the comet didn’t pass as close to Earth as it had on other visits, it was, I would estimate, between fifth and sixth magnitude, which is barely visible to the naked eye under optimal (very dark) conditions. Basically, the comet looked like a tiny pale white smudge against the night sky.

My brother, John, and his friend, Maureen, accompanied me to a country road way south of town (away from the city lights) for our viewing. We took my six-inch reflecting telescope, which had been stored in my parents’ attic  for 15 years. Unfortunately, because the mirror had not been maintained, it had become cloudy. We saw the comet, but not as crisp and clear as we would have if the mirror had been in pristine condition.

If I’d thought this through, I would have made sure the telescope was in tip top shape before I needed it; I would have resurfaced the mirror. But  I hadn’t expected to need the telescope. It was Halley’s Comet. The Halley’s Comet. The Big Honcho. The King of Comets. It should have blazed forth in all the glory of its previous visits.

To paraphrase an old saying, I should have hoped for the best, but planned for the worst.

This story has a happy ending, however. Although I was disappointed that Halley’s Comet was a dud that year, I did actually get a better view of it before it left our neighborhood of the solar system. A local astronomy group had set up some telescopes–well-maintained telescopes!–in Southeast Community College’s parking lot  before dawn, and John and I went out there to take a look.

For more information about David Kubicek’s books click here.

Nuggets of Wisdom from Prominent People

by David Kubicek

I have long been a connoisseur of quotes, those nuggets of wisdom packed into a few well-chosen words. Here are a few of my favorites:

On Writing

In early 1988 a Lincoln Journal-Star reporter asked me what advice I would give to aspiring writers. I replied that they should see a psychiatrist to figure out why they have this masochistic urge (the first page of the Journal-Star article is here, and the second page is here). Years later I came across this quote from Dorothy Parker in which she expressed the same sentiment but more eloquently: 

“If you have any young friends who aspire to become writers, the second-greatest favor you can do them is to present them with copies of The Elements of Style. The first-greatest, of course, is to shoot them now, while they’re happy.”

Ernest Hemingway said:

“Write as well as you can and finish what you start.”

I try to follow his advice. I have no problem with the first part because I’m a bit of a a perfectionist, but the second part causes me more grief, as my stack of unfinished manuscripts will attest to. Although, in my defense, some of the unfinished stories are just delayed; “Prospect Street” and “Time Capsule”, which can be found in The Moaning Rocks and Other Stories, were completed after lying dormant for more than 20 years because it took me that long to figure out how to end them.

I also try to emulate Elmore Leonard, who said, when he was asked to what he attributed the popularity of his detective novels:

“I leave out the parts that people skip.”

And I agree with writer Donald Windham, who said:

“I disagree with the advice ‘Write about what you know.’ Write about what you need to know, in an effort to understand.”

On Culture

Ray Bradbury used the following quote from Spanish poet and Nobel laureate Juan Ramon Jimenez as the epigraph to Fahrenheit 451, his 1953 novel about the desensitization of our culture:

“If they give you ruled paper, write the other way.”

And speaking of book burning, Ray Bradbury said:

“You don’t have to burn books to destroy a culture. Just get people to stop reading them.”

“Morality is doing what is right, no matter what you are told. Religion is doing what you are told, no matter what is right.”–H.L. Mencken.

On Human Beings

Here are some comments about the human condition that caught my eye over the years. Some of them are serious and some are tongue-in-cheek:

“There are two ways to be fooled. One is to believe what is not true; the other is to refuse to accept what is true.—Soren Kierkegaard.

“Women and cats will do as they please, and men and dogs should relax and get used to the idea.”—Robert A. Heinlein

“It is amazing how much you can accomplish when it doesn’t matter who gets the credit.”—Harry S. Truman.

“Whether you think you can or think you can’t—you’re right.”—Henry Ford.

Our world is not divided by race, color, gender, or religion. Our world is divided into wise people and fools. And fools divide themselves by race, color, gender, or religion. — Mohamad Safa 

“Society is like a stew. If you don’t stir it up every once in a while then a layer of scum floats to the top.”—Edward Abbey

 

“I learned that it is the weak who are cruel, and that gentleness is to be expected only from the strong.”—Leo Rosten.

On Intelligence and Politics

In July, 2020, the approval rating of Congress was 18%. This low regard for the legislative branch of our federal government is not new. Mark Twain, who died in 1910, said:

“Suppose you were an idiot. And suppose you were a member of Congress. But I repeat myself.”

For many years I’ve said that some people consider ignorance to be a virtue and that I try not to use the question “How stupid can you be?” sarcastically because some people take that as a challenge. Then I came across this quote from writer Isaac Asimov, who expressed the same sentiment but did so more eloquently:

“There is a cult of ignorance in the United States, and there always has been. The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that ‘my ignorance is just as good as your knowledge’.”

For more information about David Kubicek’s books click here.

 

 

Cheap Parking: A Horror Story Podcast

by David Kubicek

What if your quest for cheap parking led you to an underground garage with no means of exit and you just kept going down and down?

This is what happens to the narrator of “Cheap Parking,” written by Sarah K. Rodden, produced by  Phil Michalski, and narrated by Danielle McRae on the NoSleep podcast.  It is the second story on this episode of the podcast and starts around 19:35.

Cheap Parking

This is a gripping little horror story. It kept me on the edge of my seat, and I highly recommend it. “Cheap Parking” is Sarah’s second professional fiction sale to the NoSleep podcast.  Also, check out her first story, “Recalculating,” which begins at about 18:20. After listening to it, you may never trust your GPS again.

Sarah’s father is Robert Rodden II, who I published in October Dreams: A Harvest of Horror 31 years ago. His novelette “Sun Tea” from that anthology is also a suspenseful, horrifying tale, and is available in paperback and digital form.

As I cautioned when I mentioned the NoSleep podcast here just under three years ago, these stories are not for children. So send the kiddies to bed, settle down with a glass of wine, and leave the lights on.

“Cheap Parking” illustration courtesy of Kelly Turnbull

For more information about David Kubicek’s books click here.