Tips to Help You Write (Everything) Better

by Erica Francis

Writing is one of those professions or hobbies that can mean different things to different people. But regardless of the type of writing we do, there’s always room to improve.

Create The Right Environment

Every writer has a type of environment in which they work best. For some, this could be a busy coffee shop, while others might thrive in solitude. Most of us, however, tend to write from our homes. Make sure that your home puts you in the right position to keep your mind clear. A few things you can do to push negativity out of the air are to clean and keep your writing area as uncluttered as possible.

Identify Your Goals

You’ve likely heard of the SMART goal strategy before in terms of professional aspirations. Turn this to your writing as well, whether you write for a living or just for fun. Know what you want to get out of your time. This will help you strategize a plan on what to say, how to say it, and when it needs to be said.

Use Writing Tools

Surgeons need scalpels, construction workers need drills, teachers need books, and artists need canvases. The point is that for every endeavor, there are tools that make them easier and more enjoyable. Writers have a host of free and paid tools, including those that help you tweak your grammar, keep your projects organized, and let you jot down inspiration and information to save for later.

Quit Typing, And Start Dictating

If you find that you think faster than you type, consider ditching the keyboard in lieu of a headset. According to Philips SpeechLive, dictation is up to seven times faster than typing, meaning you can get more out of your head and into a document. This will make you more productive and, even better, less stressed since you don’t have to worry about forgetting something that never made it from your brain to your fingertips.

Understand Your Audience

No matter what kind of writing you do, you have an audience. Get to know them, and you’ll be able to write in a way that allows your message to come through loud and clear. Keep in mind that you can’t be all things to all people. If you’re a marketing copywriter, for example, your job is to be upbeat, positive, and persuasive. When you pen fanfiction, you must be creative, descriptive, and able to invoke emotions.

Take A Course

Still feeling stuck and working on a memoir? Take a course that helps you identify the beginning and end of your story as well as what your memoir needs and what it doesn’t. You’ll also have no trouble finding plenty of free and paid courses online that can help you build your grammar skills, learn how to manage time, or get organized.

Stop Overthinking

Overthinking isn’t necessarily the worst thing in the world you can do… unless there’s too much in your head to put onto paper. US-based Cleveland Clinic explains that overthinking can leave you jumping from one thing to the next and envisioning all of the ways that you’re making the wrong decision. Go with your gut. The worst-case scenario is that you go back and edit when your mind is clear.

Every word you write matters. When you want to refine your skills and make yourself a better writer, start by clearing out your home/workspace, which will also help you clear your head. This, along with the other tips above, can help you be a better writer, no matter what you choose to write.

For information about David Kubicek’s books click here.

How Writers Can Find a Profitable and Flexible Side Gig

by Erica Francis

Writing Side Gigs

Image Via Pexels

As a writer, having time to create is essential. However, if it’s going to take some time to earn enough money from your writing to make ends meet, you may need something extra to keep your bills paid. In many cases, finding a profitable and flexible side gig is your perfect option.

Why Having a Side Gig Is Smart

Making ends meet as an independent writer or author isn’t always easy. That’s why having a side gig may be essential. It allows you to bring in extra income while maintaining flexibility.

With a side gig, you can choose projects that align with your skills and schedule. You can focus on assignments that pique your interest and leave you with enough time to create. Additionally, you can choose tasks that boost your writing skills, making you more effective when tackling your personal projects. Plus, some may help you grow your reputation as a writer, making it easier for you to make money off of your creations down the road. For example, you may be able to get a byline, allowing you to expand your online presence or boost your resume.

Types of Side Gigs for Writers

As a writer, you’ll usually have an easy time finding side gig opportunities that align with your skills. Both companies and individuals may look for writers to assist them with a range of projects if they feel they aren’t well equipped to express themselves effectively in writing. If you’re looking for side gigs, here are some types that are right up a writer’s alley:

● Copywriter
● Digital Branding Consultant
● eBook Ghostwriter
● Editor
● Guest Post Writer
● Ghost Blogger
● Proofreader
SEO Specialist
● Writing Tutor

Preparing for Side Gig Opportunities

Before you start looking for side gig opportunities, you want to take some time to prepare. Usually, potential clients will want to see samples of your past work, especially for higher-value projects.

Three approaches can be surprisingly effective.

First, you can start your blog to showcase your skills. As a bonus, this option might help you bring in some cash, too. Ads and affiliating marketing can generate some income, though it can take some time to earn enough for it to be meaningful.

Second, you can create an online portfolio. With this, you may display writing samples and links to any published work. When a potential client wants to see what you can do, you can direct them to the portfolio.

Third, you can simply collect links to articles you’ve written. Then, if a client asks for samples, you can send them the direct links.

Finding Profitable and Flexible Side Gigs

Once you know what kind of side gig you want, it’s time to find profitable and flexible opportunities. In many cases, the easiest place to start is online freelancing platforms like Upwork, Fiverr, or Guru. You may also want to check out FlexJobs and WeWorkRemotely. Along with some freelance-style gigs, you may find flexible part-time positions, giving you something more consistent or long-term.

Turning Your Side Gig Into a Business

If your side gig takes off, you may want to turn it into a full-fledged business. Usually, launching a business is easier than you would expect, especially if you approach it properly.

One key to startup success is starting a company you believe in, as that makes it more satisfying. Additionally, never promise more than you can deliver and treat people with respect. That way, you’ll cement your reputation. Also, invest enough time and energy into the business.

Companies need to be nurtured if they are going to thrive, so make sure you can make it a priority. Finally, make sure you have the right tools. Since you’re mainly working online, invest in a high-speed internet connection and have a backup option (like a mobile hotspot) in case your service goes down. Get enough storage for your work, including cloud services and portable hard drives, and perform backups regularly. Invest in spelling, grammar, and plagiarism checkers to ensure your work is always high-quality.

Erica Francis writes for Ready Job and thrives on helping young people prepare for the working world. She helps develop lesson plans and other educational resources, all geared toward helping the site’s visitors build the skills needed to excel in any workplace. Her website is readyjob.org
For more information about David Kubicek’s books click here.

Celebrate Banned Books Week 2021

banned and challenged books

by David Kubicek

Recently I saw a meme on Facebook that said: “A good library has something in it to offend everyone.” That is why (I believe) Banned Books Week was started–to celebrate those books that have offended certain groups of people throughout the years.  Celebrate  Banned Books Week 2021, which runs from September 26 through October 2, by reading a banned or challenged book. If you don’t know of any, here’s the American Library Association’s (ALA) list of the most banned and challenge books from 2010 to 2019 [fun fact: The Holy Bible is on this list].

There are lots of great books on this list (Looking for Alaska) and some not so great, or even good, ones (Fifty Shades of Grey). But many of them are “must reads” because they shine a light on ugly periods of our past or present and encourage us or warn us to do better (The Adventures of Huckleberry Finn, Anne Frank: Diary of a Young Girl, 1984, The Handmaid’s Tale). You may notice that some of the books in my montage above aren’t on the ALA’s list, but I assure you that all of them were banned or challenged at one time or another.

Being the decadent reprobate that I am, I’ve read many of the books that have at various times in our country’s history been challenged or banned. I even had my own brush, as an author, with a challenged book. Actually, I was the ghost writer (hired by the publisher), but it has been over 30 years so I doubt that the world will end if I reveal this secret now. The book was A Need To Kill, authored by Mark Pettit, who was a reporter for a local TV station and the only journalist (at least at that time) to have interviewed the serial child killer John Joubert (the subject of the book) in prison. The main problem with Mark’s manuscript was that he wrote it the same way he wrote news stories to be delivered in 30 seconds–just the facts. I added color and beefed up his original manuscript, even doing some of my own research (for instance, I researched the weather at the time of the murders so I could evoke the setting). Mark even gave me a shoutout in the introduction.

Some local group got upset and challenged A Need To Kill. I don’t know if that helped sales, but the first hardcover printing by Lincoln, Nebraska-based Media Publishing sold out in three days and Ballantine snapped up the paperback rights, publishing a mass market paperback edition later that year.

Challenging or banning books always creates interest and sells copies–something the book banners of the world never seem to understand. Someday I hope to have one of my own books, published under my own name, challenged or banned. For any of you writers out there, I hope you have the same luck.

But do celebrate Banned Books Week, which comes around every year in the last week of September, and celebrate the authors. You know you must have touched a nerve when certain people want to prevent others from reading what you have written.

For more information about David Kubicek’s books click here.

Editing Fiction is Subjective: The October Dreams Controversy

by David Kubicek

Editing fiction is subjective. The best stories don’t always make the most money while some seriously awful stories make millions.

An irritating misconception in our society is the notion that the size of one’s paycheck is in direct proportion to the quality and importance of one’s work. Unfortunately, this misconception is often applied to writers, even by other writers and editors, who should know that one editor’s gem is another editor’s piece of crap. Don’t believe me? Check out some rejections of famous writers here.

Many years ago Jeff Mason and I edited a collection of horror stories, October Dreams: A Harvest of Horror (Kubicek & Associates, 1989), because we weren’t happy with the quality of stories being published in the current crop of original horror anthologies. We thought we could do better, and judging from our book’sOctober Dreams reception, I think we succeeded, or at least we collected a group of horror stories as good as anything on the market.

After OD was highly recommended by Booklist, major distributor Baker & Taylor ordered it by the carton, making it  a best seller for our tiny company. One of the stories–“Mr. Sandman”, by Scott D. Yost–was selected for inclusion in Karl Edward Wagner’s The Year’s Best Horror Stories XVIIL Someone even tried to nominate OD for a Horror Writers of America award, which is where the trouble started.

We were informed that October Dreams was not eligible for an award because the writers were required to have been paid three cents per word or more to be considered “professional.” We’d had the audacity to pay our contributors one cent per word–which actually was per 1,000 copies printed, so with each printing our contributors would be paid again.

This set off a minor controversy. On one side were those of us who argued that work shouldn’t be judged by how much a writer is paid (writers are often undervalued anyway) but by how good the writing is. The other side argued–and these were mostly writers who met the three cents or more threshold–that writers had worked long and hard to be paid three cents a word or more and–God forbid–shouldn’t have to compete with writers who are paid less even if the story is better [my italics].

Professionalism does not have to do with how much writers get paid for their stories, nor does it have to do with how popular a writer is.  I know of one writer–who I will not name–who had a huge payday, on the order of $1,000 per word for two words, the words making up his famous name. The story attached to that name was utter garbage and would have been rejected immediately if it had been written by an unknown writer. 

Professionalism has to do with having cultivated the skill to tell a good story. It has to do with having learned the writing craft to tell it well. It has to do with having learned how to approach agents and editors when marketing your story. It has to do with how you handle rejection. And, above all, it means doing your best work even when you reach the level of fame where editors will pay you only for your name because your name will sell magazines.

Few writers are able to make a living writing fiction, and many highly-respected literary magazines pay only  in copies, and many excellent stories are rejected by many editors before they find a home. Editing is a subjective process and has more to do with how well an editor likes a story than on how well it is written or how much the writer is paid for it. A famous name on a story doesn’t necessarily guarantee its quality; how well the story is written does.

For more information about David Kubicek’s books click here.

 

Nuggets of Wisdom from Prominent People

by David Kubicek

I have long been a connoisseur of quotes, those nuggets of wisdom packed into a few well-chosen words. Here are a few of my favorites:

On Writing

In early 1988 a Lincoln Journal-Star reporter asked me what advice I would give to aspiring writers. I replied that they should see a psychiatrist to figure out why they have this masochistic urge (the first page of the Journal-Star article is here, and the second page is here). Years later I came across this quote from Dorothy Parker in which she expressed the same sentiment but more eloquently: 

“If you have any young friends who aspire to become writers, the second-greatest favor you can do them is to present them with copies of The Elements of Style. The first-greatest, of course, is to shoot them now, while they’re happy.”

Ernest Hemingway said:

“Write as well as you can and finish what you start.”

I try to follow his advice. I have no problem with the first part because I’m a bit of a a perfectionist, but the second part causes me more grief, as my stack of unfinished manuscripts will attest to. Although, in my defense, some of the unfinished stories are just delayed; “Prospect Street” and “Time Capsule”, which can be found in The Moaning Rocks and Other Stories, were completed after lying dormant for more than 20 years because it took me that long to figure out how to end them.

I also try to emulate Elmore Leonard, who said, when he was asked to what he attributed the popularity of his detective novels:

“I leave out the parts that people skip.”

And I agree with writer Donald Windham, who said:

“I disagree with the advice ‘Write about what you know.’ Write about what you need to know, in an effort to understand.”

On Culture

Ray Bradbury used the following quote from Spanish poet and Nobel laureate Juan Ramon Jimenez as the epigraph to Fahrenheit 451, his 1953 novel about the desensitization of our culture:

“If they give you ruled paper, write the other way.”

And speaking of book burning, Ray Bradbury said:

“You don’t have to burn books to destroy a culture. Just get people to stop reading them.”

“Morality is doing what is right, no matter what you are told. Religion is doing what you are told, no matter what is right.”–H.L. Mencken.

On Human Beings

Here are some comments about the human condition that caught my eye over the years. Some of them are serious and some are tongue-in-cheek:

“There are two ways to be fooled. One is to believe what is not true; the other is to refuse to accept what is true.—Soren Kierkegaard.

“Women and cats will do as they please, and men and dogs should relax and get used to the idea.”—Robert A. Heinlein

“It is amazing how much you can accomplish when it doesn’t matter who gets the credit.”—Harry S. Truman.

“Whether you think you can or think you can’t—you’re right.”—Henry Ford.

Our world is not divided by race, color, gender, or religion. Our world is divided into wise people and fools. And fools divide themselves by race, color, gender, or religion. — Mohamad Safa 

“Society is like a stew. If you don’t stir it up every once in a while then a layer of scum floats to the top.”—Edward Abbey

 

“I learned that it is the weak who are cruel, and that gentleness is to be expected only from the strong.”—Leo Rosten.

On Intelligence and Politics

In July, 2020, the approval rating of Congress was 18%. This low regard for the legislative branch of our federal government is not new. Mark Twain, who died in 1910, said:

“Suppose you were an idiot. And suppose you were a member of Congress. But I repeat myself.”

For many years I’ve said that some people consider ignorance to be a virtue and that I try not to use the question “How stupid can you be?” sarcastically because some people take that as a challenge. Then I came across this quote from writer Isaac Asimov, who expressed the same sentiment but did so more eloquently:

“There is a cult of ignorance in the United States, and there always has been. The strain of anti-intellectualism has been a constant thread winding its way through our political and cultural life, nurtured by the false notion that democracy means that ‘my ignorance is just as good as your knowledge’.”

For more information about David Kubicek’s books click here.

 

 

The Most Important Writing Lesson I Learned

by David Kubicek

This is the most important writing lesson I learned: Don’t be afraid to stop for a moment to examine things in your story, whether they are physical wounds or the characters’ actions and emotions.

I learned this in a summer fiction workshop at the University of Nebraska–Lincoln more years ago than I care to count. I had turned in a story called “Clinical Evaluation” [pause for shameless self-promotion–it’s in my collection The Moaning Rocks and Other Stories]. A petty crook is shot during a liquor store robbery gone wrong, and his body is taken to the morgue where Willy, an inebriated custodian cleaning the morgue during the graveyard shift, imagines that this guy isn’t dead but only paralyzed and is trying to alert someone before the pathologist starts cutting on him in the morning.

The manuscript I turned in described the victim’s wound as a “gunshot wound to the head,” and that’s all. My teacher, Charlie Stubblefield, said he wanted to see a more detailed description of that wound. He wanted me to really get into that wound. So I did that in the revision.

“Clinical Evaluation” was the first story I sold, to an anthology of fiction, poetry, and artwork called The New Surrealists. But the lesson I had learned was not only about being specific with my descriptions. The lesson is: Don’t gloss over things, whether they are one-paragraph descriptions or entire scenes, if they are relevant to the story.

 I follow Elmore Leonard’s rule“I try to leave out the parts that readers skip”–so I sometimes find myself wanting to skim over something or cut it out entirely because I think it will slow down the story. But one thing you must keep in mind is that it will take you much longer to write a scene than it will take your reader to read it. So even if a scene seems to be moving slowly for you, your audience may zip through it quickly and enjoy reading it as much as you enjoyed writing it.

Just remember that each scene must have a reason for its existence. You are giving the readers information they need, or you’re moving the story forward characterwise or plotwise. This doesn’t mean that every scene that has a reason for being should be in the story. That’s something for you to judge in the second draft and for your beta readers to judge before you unleash your brainchild on an unsuspecting public. I always ask my beta readers to tell me what parts of the story they didn’t like and why–in particular, what parts of the story they wanted to skip.

You may think I’ve diverged quite a bit from describing that simple head wound, but I haven’t. The lesson I took away, the most important writing lesson I learned, is to not be afraid to stop for a moment to examine things in your story, whether they are physical wounds or the characters’ actions and emotions. Don’t summarize elements that may be important to your story, even if you may have doubts while writing the first draft. If something doesn’t work, you’ll find out soon enough, and you can fix it in a later draft.

For more information about David Kubicek’s books click here.

Day Jobs of Writers Before Their Big Breaks

by David Kubicek

Have you ever wondered about the day jobs of writers before they became famous?

Most writers have been faced with the challenge of making a living while waiting for that big break. Day jobs I’ve held included dishwasher, custodian, film processing lab technician, copy-editor, advertising copywriter, publisher and print shop stripper (it’s nothing risque; I “stripped” negatives into paper frames which were used to “burn” offset printing plates–with today’s direct-to-plate technology, strippers are disappearing like blacksmiths after the invasion of automobiles). Here’s a look at some famous writers’ day jobs  before they were famous.

Some of them eventually were able to write full-time, others never sold enough books and had to keep their day jobs, and others like Scott Turow (who continues to practice law) and John Grisham (who remains interested in politics and considered running for U.S. Senator from Virginia in 2006) maintain their non-writing career interests.

  • Dashiel Hammet: The author of hard-boiled detective stories and novels started out as a private detective. His first case?  To track down a thief who had stolen a Ferris Wheel.
  • John Grisham: Author of such legal thrillers as The Firm and The Pelican Brief, is an attorney who, from 1983 to 1990, served as a Democrat in the Mississippi House of Representatives.
  • Jack London: The author of White Fang, The Call of the Wild, and The Sea Wolf had a variety of experiences, including oyster pirate, gold prospector, and rail-riding hobo .
  • Langston Hughes: One of the first African American authors who was able to support himself by writing, he was, according to legend, discovered by poet Vachel Lindsay while working as a  busboy at the Wardman Park Hotel in Washington, D.C. Hughes had dropped his poems beside Lindsay’s plate. In his poetry reading Lindsay included several of Hughes’s poems, which resulted in journalists clamoring to interview the “busboy poet.”
  • William Carlos Williams: The poet and fiction writer was an excellent pediatrician and general practitioner, although he worked harder at his writing than he did at medicine.
  • Ralph Waldo Emerson: The American poet, philosopher, and essayist assisted his brother William in a school for young women they ran out of their mother’s house.  He later was a minister and lecturer.
  • Henry David Thoreau: He began as Emerson’s handyman, moved on to selling vegetables, returned to the family pencil business, was a tutor and a teacher.
  • Nathaniel Hawthorne: The author of The Scarlet Letter and The House of the Seven Gables was a weighter and a gauger at the Boston Custom House, which housed government offices for processing paperwork for the import and export of goods. Later he was Surveyor for the districts  of Salem and Beverly as well as Inspector of Revenue for the Port of Salem. He also wrote a campaign biography of his friend, Franklin Pierce, in which he left out some key information, such as Pierce’s drinking.  On his election, Pierce rewarded Hawthorne with the position of United States consul in Liverpool.
  • Dan Brown: Before striking gold with Angels and Demons, The Da Vinci Code, and The Lost Symbol, he was a high school English teacher.
  • Zane Grey: Early 20th century author of such popular novels as Riders of the Purple Sage, he would eventually publish nearly 90 books and sell more than 50 million copies worldwide. After years of rejection, he sold his first book at age 40 and was able to give up his day job as a dentist, a job that he hated.
  • J. K. Rowling: After her daughter was born and she separated from her husband, the author of the Harry Potter series left her job in Portugal, where she taught English as a second language, and returned to school to study for her postgraduate certificate of education (PGCE) so she could teach in Scotland. She completed her first novel while on welfare.
  • Ray Bradbury:  The author of Fahrenheit 451, The Martian Chronicles, hundreds of short stories, and many television and motion picture scripts sold newspapers on a Los Angeles street corner for a few years until he was making enough story sales to write full time.
  • Mary Higgins Clark: After graduating from high school, she was secretary to the head of the creative department in the internal advertising division of Remington-Rand, a business machines manufacturer. She took evening classes in advertising and promotion and was promoted to writing catalog copy–future novelist Joseph Heller was a coworker. She also modeled for company brochures with aspiring actress Grace Kelly. Her thirst for adventure led her to become a stewardess for Pan American Airlines where she was on the last flight allowed into Czechoslovakia before the Iron curtain cut off east from west.
  • Harlan Ellison: The man who would later distinguish himself as a preeminent speculative fiction and mystery writer held many jobs before he was 20 years old, including tuna fisherman, itinerant crop-picker, hired gun for a wealthy neurotic, nitroglycerine truck driver, short order cook, cab driver, lithographer, book salesman, department store floorwalker, and door-to-door brush salesman.
  • Stephen King: While attending the University of Maine, he worked as a custodian, gas pump attendant and laborer in an industrial laundry among other jobs. After graduation he and his wife, Tabitha, lived frugally in a trailer with his meager income from teaching supplemented occasionally by a short story sale to the men’s magazine market. Then he sold Carrie–which Tabitha had rescued from the trashcan and encouraged him finish–and the King family’s income situation changed rather abruptly.
  • Scott Turow: The author of such best selling novels as Presumed Innocent and Reversible Errors, still practices law as a partner of the Chicago firm of Sonnenschein Nath & Rosenthal, although on most of his cases he works pro bono.
  • Nicholas Sparks: After graduating from college the author of such best sellers as The Notebook, Dear John, and The Last Song tried to find work in the publishing industry and applied to law school but had no luck in either area. So he embarked on other careers, including real estate appraisal, waiting tables, selling dental products by phone, and starting a manufacturing business.

This post is dedicated to my cousin, Unitarian minister and scholar Dr. Wesley Hromatko, who inspired me to look into the day jobs of some famous authors.

For more information about David Kubicek’s books click here.

Celebrate Banned Books Week 2019

 

Banned and Challenged Books

by David Kubicek

Read a challenged or banned book to celebrate Banned Books Week 2019, which runs from September 22 through September 28.

If you haven’t chosen a banned book–or several–to celebrate, here are some lists of banned and challenged books. There are plenty to choose from.

I have opted not to choose a book to read from the lists this year because I’m in the process of reading Margaret Atwood’s The Testaments, her sequel to The Handmaid’s Tale (published 33 years later!).

Being the decadent reprobate that I am, I’ve read many of the books on the BB lists already, some of them two or three times or more, and although The Testaments was just released last week, I’m sure it soon will be, like its predecessor, challenged and/or banned–if it hasn’t achieved that status already (censors can act swiftly when they detect the scent of something they might not like).

But do celebrate Banned Books Week, which comes around every year in the last week of September, and celebrate the authors. You know you must have touched a nerve when certain people want to prevent others from reading your what you have written.

For more information about David Kubicek’s books click here.

Writing by Ear: Learn the Rules First, Then Break the Rules

by David Kubicek

writing by earWhen writing fiction you may sometimes you can break the rules of grammar, but first you must learn the rules. It is a process I call writing by ear.

Several years ago there was a game show, hosted by Jeff Foxworthy, called Are You Smarter than a 5th Grader?  in which adult contestants tried to answer questions from first through fifth grade textbooks. The questions got harder as the contestants’ winnings grew.

My wife, Cheryl, kept pestering me to apply to be a contestant. I resisted mainly because I would have to fly out to LA on my own dime to be interviewed. I’d been to LA a couple of times so combining what was basically a temp job interview with a vacation in sunny southern California was not that enticing.

Cheryl thought I would be good at this game because all of my life I’d read a lot on a variety of subjects and my head was, in her words, “full of useless information.”

On the show, the contestants chose from several categories like grammar, math, astronomy, history, etc. When I told Cheryl the first categories I’d choose would be history and astronomy, she was surprised. She was sure that I, being a writer, would ace the grammar questions. Her amazement deepened when I told her that grammar was my weakest area.

In elementary school I learned proper names for phrases and parts of sentences and what you’re supposed to do and what you’re not supposed to do in composition. But I forgot most of the technical terms years and years and years ago.

What I did learn, before I forgot the grammar proper names and rules, was how to use the language to create an effect. As I learned to write, some things remained as ghosts of my early grammar lessons. I know what nouns and verbs are, of course, because they are a crucial part of a coherent sentence. I know what adjectives are, and I use them sparingly so they won’t detract from the effects I’m trying to create. And I try to avoid splitting infinitives, but sometimes the prose sounds more natural if I split the bloody thing.

I write by ear, which means putting the words down in an order that will sound best, or read best, to help create a desired effect in the reader’s mind. And sometimes that means not going strictly by the grammar rule book–but I learned the rules before I forgot them.

So quiz me on science, history, or even math, but I would fail miserably at grammar.

For more information about David Kubicek’s books click here.

Ray Bradbury, the Salvation Army, and I

by David Kubicek

“You don’t have to burn books to destroy a culture. Just get people to stop reading them.”–Ray Bradbury

 

Fahrenheit 451The Martian ChroniclesThe Stories of Ray Bradbury

Forgive me for the tardiness of this tribute to visionary writer Ray Bradbury. I had intended to post it on the 99th anniversary of  his birth (Thursday, August 22), but my internet chose that day to have a spaz attack.

The Great Experiences

Ray Bradbury said there are three great experiences; the first is birth, the second is life, and the third is death. After a career spanning more than 70 years, he embarked on the third of those adventures on June 5, 2012, at the age of 91. For a while, on the 99th anniversary of his birth, Ray Bradbury was the top trending topic on Twitter, which means that lots and lots of people where tweeting about him–a rare thing for even a living writer.

Although Bradbury is most famous for his science fiction and fantasy, he also wrote horror, mystery/crime and mainstream stories, not to mention poetry, stage plays, teleplays and screenplays.

My Writing Mentor

Bradbury was my first writing mentor. I was an amateur astronomer during my high school years and devoured every book on astronomy at the local library. One day my mother gave me a paperback book she’d picked up in the 25-cent bin at the Salvation Army store. Since it involved space, she thought I might be interested, but she warned me that it was fiction.

That book was The Martian Chronicles, and I could not put it down. By the time I had finished reading it, I was determined to be a writer and write cool stories like Bradbury. My first step was to haunt the bookstores, the libraries and the paperback racks in drugstores until I had found and read every Bradbury book in print.

 My Study of Ray Bradbury

A few years later, at the University of Nebraska-Lincoln (UNL), I wanted to write a thesis about the influences of Bradbury’s early life on his writing. When searching for an advisor, I discovered something that amazed me–not everyone was a Bradbury fan, and the first few professors I approached turned me down.

The professor who finally agreed to supervise my work, Robert Bergstrom, had never read Bradbury before he agreed to take on the project, and our association continued long after the thesis was finished. Bob was a Beta Reader of my own fiction–including my novel In Human Form–for many years after I graduated.

The thesis took longer to write than I’d planned (about two years), and it was twice as long as it needed to be–I was required to write 40 pages but ended up with 80 because I had so much to say. In fact, years later, the editor of CliffsNotes mistook it for a Master’s thesis, so my credit on the CliffsNotes I wrote for Willa Cather’s My Antonia reads: David Kubicek, M.A., University of Nebraska.

Contacting My Mentor

I never met Bradbury, but in the few letters we exchanged, I found that he lived up to his reputation as a generous champion of budding writers . I was relieved–it can be a serious downer if one learns that one’s hero is a d*ck. We first made contact when I sent him a copy of my thesis. In the accompanying letter, I mentioned the dearth of information about him when I was doing my research.

Within a week I got a package from Bradbury. I was a little suspicious at first. I listened to it to see if it was ticking (I had said one or two things in my critique of his work that a writer might not be overjoyed to hear, but in my defense, I had tried to be objective). But it wasn’t a bomb–it was a copy of galleys for a book about Bradbury’s work that was scheduled for publication.

Curiously, my thesis–Ray Bradbury: Space Age Visionary–is listed on Amazon as “out of print–limited availability,” although it was, technically, never in print to begin with since only six photocopies had been distributed. My guess is that Amazon’s spider, while scrambling over the web, crawled up on the Special Collections cyber-pile at UNL’s Love Library, which had one of the six copies in circulation.

Bradbury’s Advice for Living

When I was researching my thesis, I came across this Bradbury quote in Writer’s Digest:

“I absolutely demand of you and everyone I know that they be widely read in every damn field there is; in every religion and every art form and don’t tell me you haven’t got time…! Stuff yourself with serious subjects, with comic strips and motion pictures and radio and music; with symphonies, with rock, with everything!”

Years later I realized that I had unconsciously followed his advice. I developed a great curiosity about many subjects, did lots of reading, listened to lots of different types of music, watched lots of movies, had lots of life experiences, etc. Every writer needs curiosity to properly explore the things he or she writes about, and I highly recommend that everyone–especially aspiring writers–follow Bradbury’s advice.

The Bradbury ChroniclesFor more about this amazing man, read The Bradbury Chronicles by Sam Weller, Ray Bradbury’s authorized biographer. I wish this book had been available when I was writing my thesis. Weller’s book is a great read and provides a wealth of information about a writer who has touched our imaginations and our culture. Every Bradbury fan should have this book in his or her collection. NOTE:  The hardcover edition was published several years before Bradbury’s death, but Weller has added a final chapter to the Kindle edition covering the author’s last years.

For more information about David Kubicek’s books click here.