Remembering John Kubicek (May 2, 1961-December 19, 2022)

by David Kubicek

John Kubicek at his desk
John in his late teens at his desk. This was a candid shot, and he had just realized I was taking his picture, which could account for the slightly irritated look on his face.

My brother, John, passed away on December 19, 2022, after a nine-month battle with cancer.

Those of you who are regular visitors to this blog know that he has figured prominently in several posts. And no doubt he will figure prominently in posts yet to be written.

John was many things.

He was a reader. He loved reading on a wide variety of topics, both fiction and nonfiction. When he read fiction, he would read a single author’s body of work from beginning to end. When he told me that he was reading Ernest Hemingway, I cautioned him that reading so much Hemingway all at once might cause permanent brain damage.  But he took the risk.

John Kubicek's science experiment
John with the second apparatus he built in high school. The first blew up when he plugged it in. It may be difficult to see them from this photo, but there are pits in the wall caused by flying pieces of glass.

He was a science whiz. In high school he won a national science competition for building an apparatus to create the building blocks of life (and, like any self-respecting mad scientist, he blew up his first apparatus, for which he was rewarded with 144 stitches). The prize was a two-week trip to London with other high school students who had won in other categories. The UNL chemistry department gave him lab space before he even took his first class.

He was a college dropout. For John, that wasn’t a bad thing. He was a chemistry major, but he left college after two years, he told me, because with a science major he had to focus in on one topic, but his interests spanned many topics. It was his curiosity about everything that led him to leave college. In other words, he left college to get a general education. He told me at the time that his ideal job would be to be paid to read.

But he settled for the next best thing–working in a bookstore. Jim McKee, co-owner of Lee Booksellers, hired him to manage the bookstore’s Omaha location. But that didn’t last long. John tired of the daily commute and the responsibilities of being a manager. McKee’s wife and co-owner of Lee Booksellers, Linda Hillegass (daughter of Cliffs Notes founder Cliff Hillegass) worked for the Lincoln City Libraries. She landed John a job at the main library downtown, where he spent the rest of his life cataloguing books and other materials the library acquired. This also kept him on top of the latest books being published, which complemented his need to read.

John got into computers very early. He bought a top-of-the line IBM computer with a whopping five-megabyte hard drive. He even let me use it to ghost write a book for Midgard Press, the subsidy division of Media Publishing. He wrote at least one short computer program (and maybe more; I don’t know) to help the Lincoln City Libraries with their cataloging work. When he was still at UNL, he was so proud of his ability to navigate cyberspace that he (jokingly) asked if there were any classes I’d like to take–he would put my name on the roster. Once, he was with me when I stopped in to see a friend. My friend wasn’t ready yet, so we hung out with his wife in the living room. John knew the wife from riding the bus with her, but he didn’t know her that well. He started to tell her about how he had offered to sign me up for UNL classes “off the books.” I interrupted him before he got too far along in his confession and said: “John, did you know that Marilyn is an attorney in the Attorney General’s office?”

John Kubicek teaching the monkeys
John used to stop at the Lincoln Zoo frequently where he wrote in his notebook to entertain the Capuchin monkeys. When he told me about these informal writing lessons, I just had to get some photos.

John had an offbeat sense of humor. He was a devout fan of Monty Python, which could account for this personality trait (or it could be some slight brain damage from reading too much Hemingway all at once). For instance, after a meal at a restaurant, he would leave a wallet-size photo of a Capuchin monkey along with his tip. On the back of the photo, he would write: “Hi! I’m Isaac.” At my wedding reception, John, along with other guests–some in the wedding party and some not–participated in the age-old ritual of kidnapping the bride. Basically, they went through stores making a ruckus. Customers and salespeople would stare at this motley crew, some in tuxedos and others not, led by a bride going loudly through the store. John, in his tuxedo, would bring up the rear. He made calming motions with his hands and said to the onlookers: “Don’t worry. They’re not dangerous. I’m their doctor, and we’re on an outing.” As he got older, and his hair was thinning, John would tell people: “I still have all of my hair. I keep most of it in a box on my dresser.”

Although John had gotten a driver’s license when he was 16, he owned, I think, only one car early in his life. After that, he borrowed our dad’s car when he had to travel long distances (usually out of town). Locally, he chose to ride the bus or to walk where he needed to go. He walked a lot. When my son, Sean, was born, he walked from his apartment to St. Elizabeth Hospital (a good distance away), stopping at a shop on the way to pick up sandwiches. Baby Sean couldn’t eat any, but Cheryl and I enjoyed them.

John KubicekWhen John was in his mid-teens, he got a shortwave radio, which could pick up more distant stations than conventional radio (think of it as primitive internet without the video). It could also pick up CB transmissions from truckers. Our New Year’s Eve celebration consisted of listening to these CBers talk back and forth. As the evening wore on, their banter got funnier, perhaps encouraged by a little alcohol consumption. As midnight approached John would tune in the station for the atomic clock in Boulder, Colorado. It sounded like a drum beating at the rate of one beat per second. At midnight on New Year’s Eve, it would add one second, which was heard as two beats in rapid succession. That–along with sipping Cokes and eating a few chips–was our New Year’s Eve ritual. Yeah, we were party animals.

Speaking of parties, John told me of an all-nighter he and some of his friends had pulled. What did they do at this all-nighter? Did they drink? Smoke a little weed? Maybe drive around town mooning unsuspecting bystanders? Nope. None of those. They spent the whole night discussing mathematics.

John Kubicek examining photographic negativesJohn was generous. Cheryl and I had spent most of our money on our wedding and reception, so our honeymoon was to consist of one night at the Cornhusker Hotel in downtown Lincoln. At the beginning of the reception, John gave me an envelope. I tossed it in the basket with the other cards to be opened with the presents when we returned from our honeymoon. John fished it out of the basket and insisted that I open it immediately. It was a card informing us that he had extended our honeymoon at the Cornhusker by five days and five nights.

John collaborated with me on two short stories and one novel. The two short stories were written and will be in my new collection to be published in 2023. Unfortunately, the novel never got past the planning stage. He was also my scientific consultant for my novel In Human Form. He told me the process he would use for scientifically studying a humanoid robot–in Part III of the novel–and gave me the names and functions of instruments and equipment that the scientists would use to study my android.

There are lots of other memories, some of which I wrote about in previousJohn Kubicek blog posts. There was the time he helped me fake a UFO photo, the time we created a minor controversy during a game of Celebrity Taboo, the time he helped me with the polynomial part of a mathematics review guide I was writing for Cliffs Notes, the time we played rock music backwards to look for Satanic messages, and the time John and I and his friend, Maureen–who remained his friend for life–went to see Halley’s Comet on its once-every-76-year return in early 1987.

John was preceded in death by his parents, Charles and Lois Kubicek, nephew Kevin Coffey and sister-in-law Cheryl Kubicek. He leaves behind his lifetime companion Maureen Hutfless, a brother (me), sister Maxine (and brother-in-law Ray) Coffey, nephews Sean Kubicek and Chris (and niece-in-law Amy) Coffey, and grandnieces Violet and Willow Coffey. And many, many friends and colleagues.

We all will miss him.

 

 

Subliminal Messages in Rock Music

by David Kubicek

(Dedicated to my brother John)

Back in the late 1970s or early 1980s, a religious group claimed that subliminal messages in rock music were converting unsuspecting kids to satanism. All you had to do, they said, was play the songs backwards to reveal the satanic commands.

My brother John and I were skeptical, but we thought it would be great fun to play some popular songs backwards just to see if anything turned up. Call it a scientific experiment, if you will.

Back in those technology-challenged days, playing a song backwards was a chore. Our process consisted of recording the songs on a cassette tape, opening up the cassette, flipping the tape over, and reassembling the cassette. The result was that when we played the tape, we would hear the songs backwards.

We checked out three singers/bands. It took us an entire Saturday from early morning to late into the evening because after we’d prepared the songs to be played backwards, we had to listen to them closely to ferret out any potentially satanic messages.

We started with Kenny Rogers, who was really more country than rock, and came up empty. Then we tried Billy Joel, who was a little more of a rocker, but still we got nothing.

John said, “Kenny Rogers and Billy Joel just don’t look like they’d be in league with the Devil.” He pulled out another album, showed me a picture of the band and said, “If anyone is putting satanic messages in their music, it’s these guys.”

QueenThe band was Queen, and we struck paydirt. I’m not saying that this is proof positive that Queen embedded satanic phrases in their music, but some of the words sounded ominous to us.

We found several satanic-sounding phrases, but since so many years have passed, I’ve forgotten most of them. Two of them, however, were so memorable that they remained with me through the years.

In “Bohemian Rhapsody” we found the chant, repeated several times: “One now one, one now one…” Perhaps that could mean, “we are one with the devil?” In another song we found: “I….want your heart.” A romantic might think of that as a lovesick guy pining for his true love’s heart. But, given our fascination with the macabre, we went another way and interpreted it as a guy expressing his desire to cut out someone’s still-beating heart and offer it as a sacrifice to the Evil One.

On a side note, John introduced me that day to the Queen song ’39, which I love because it is a science fiction song based on Einstein’s Theory of Relativity. That’s something you usually don’t hear in connection with a rock band. ’39 tells the story of a band of volunteers who sail in a (space) ship across the milky seas (the Milky Way Galaxy) looking for a new world because the Earth is “old and gray.” They return after one year has passed for them, but 100 years have passed on Earth. On top of all that, it is a tragic love story. It’s pretty cool; give it a listen.

For information about David Kubicek’s books click here.

Science Fiction and Predicting the Future

By David Kubicek

Most science fiction writers will tell you that they don’t try to predict the future; the futures they create are there to serve their characters and their stories.

Many SF writers, however, do get some things right about the future. Ray Bradbury, for example, describes interactive TV in his 1953 novel Fahrenheit 451–it’s a clunky, primitive version of today’s interactive TV, but interactive TV it is, nonetheless.

SF writers miss other things completely. For instance, SF writers have always predicted the dominance of computers in their future worlds, but I don’t know of any who predicted the digital revolution–in the original Star Trek series, for instance, inhabitants of that distant future must still insert cartridges to read a book or synthesize food.

I’ve had brushes with predicting things that came true or are coming true as I write this. In an unpublished 1985 novel, I predicted the internet for public use. I didn’t have to take such a big leap for that. The internet had been used by the military for years; I just envisioned the next logical step (and to be perfectly honest, I may have read an article about what was coming). It was a clunky version of the internet compared to what we have today, but it was still the internet.

In that same unpublished novel, 20 years before Kindle, I predicted e-readers and e-books. In one way it was a clunky version of e-reading technology. The e-reader didn’t have a hard drive for storing books; books were on discs the size of hearing aid batteries that you inserted into the reader. You didn’t have to push a button or sensor to turn the page, however. With my e-readers, the words scrolled up the screen as you read; they automatically adjusted to your reading speed, and if you paused or looked away, the scrolling would stop and wait for your attention to return to the page. Another cool thing about my e-readers was that they collapsed into a cylinder about the size of a pen that you could carry in your pocket.

A Friend of the FamilyAbout that time, I wrote a novelette called A Friend of the Family, which was first published in Space and Time magazine in 1987. This story was set in a dystopian future world where practicing medicine was illegal. Health care providers were Healers who relied on such rituals as chanting, bleeding their patients, and binding their patients’ chest tightly with strips of cloth to squeeze out demons.

In 2012 I published the story as a stand-alone book in both digital and paperback (it is currently available in my collections Prospect Street, The Moaning Rocks and Other Stories, and as a paperback). The week of its release, A Friend of the Family broke into the top 30 of two Amazon best seller lists, peaking at #26 on the Science Fiction List and #21 on the Literary Fiction List. The premise of medicine having been replaced by magic was a device I used to explore relationships between my characters, but my vision is well on the way to coming true.

A perfect example is the nonsense being spread by antivaxxers who are sowing distrust about the COVID-19 vaccines. They are calling for the criminal investigation, of Dr. Anthony Fauci, one of our foremost authorities on infectious diseases, simply because he gave sound health care advice about COVID. They are championing all sorts of oddball remedies, such as Ivermectin (a horse de-wormer), drinking dirt from a landfill, and drinking urine.

One fellow who espouses urine therapy has said that people who take the COVID vaccine are foolish. Well, with all due respect to that fellow, we vaccinated folks aren’t the ones who are drinking our own piss.

But COVID is not the only target of anti-medical nonsense. One practitioner has claimed that alien DNA and having dream sex with witches and demons causes all sorts of maladies.

These are not just isolated incidents; these movements have a lot more followers than they should have in a civilized society with easy access to education. The world depicted in A Friend of the Family seems to be coming true a lot more quickly than I’d expected.

For more information about David Kubicek’s books click here.

How I Mark My Writing Progress

by David Kubicek

Many writers measure their progress by how many words they write each day. I’m not one of them. The words I write today may be discarded tomorrow or cut in the second or third draft. For me, the  words that matter most are the ones that end up in my final draft.

The idea for my young adult dystopian novel Empath first came to me in 2011. I wrote 25,000 words, wasn’t happy with the direction of the story, and set it aside for a few years.

In 2016, shortly before the election, I took it up again. The day after the election, I set it aside and didn’t work on it for six months.  The novel was a speculative fiction story set against the backdrop of a totalitarian regime 200 years in the future–I feared that by the time it was finished and published, bookstores would shelve it in the “Contemporary” section.

But eventually I took it up once more. I tried to take it in a new direction, wrote some new scenes and discarded them. Finally I discarded everything and started over. I did this two or three more times. I cranked out a lot of words, which I discarded before even completing  one draft. In all, I deep-sixed over 90,000 words, more than enough for a complete novel.

One reason I kept starting over was that Kassidy, my main character, was too passive. She reacted to things that happened to her rather than striving for a goal and making things happen. The other reason was that Empath was too much like many other young adult dystopian novels: heroine is pissed off at the leaders of her society, heroine leads a band of rebels to overthrow the government, etc. Ho hum. Yawn.  I wanted something different.

Then in January of 2020, out of nowhere, “something different” dropped into my head. A complete idea. That has never happened to me in all the years I’ve been writing. It dropped into my head at 10 p.m. and kept me awake for two hours as my mind worked feverishly to iron out some details. Apparently, while I struggled through these early drafts, my subconscious mind–a frequent collaborator–had been hard at work, and it chose this moment to reveal to me the fruits of its labor.

But it hasn’t been easy sailing since then. There are lots of kinks I need to iron out as I work through the first draft. With a little bit of luck and a lot of hard work I expect to have a complete draft of Empath by June 2021. I won’t give any plot spoilers but will describe it only as a young adult dystopian time travel romance.

One thing I want to make clear is that in my novel, the instrument of our present day civilization’s near demise has always been a plague because a pandemic is cleaner than an atomic war–it kills people but leaves the architecture intact. It was a pandemic in 2011 when I conceived of the story, and it is a pandemic today as the novel finally nears completion.  It’s not, as they say, a story ripped from the headlines; my story was in progress years before the novel coronavirus made the scene.

One thing I can say, though, is that COVID-19 has allowed me to do some hands-on research about what it’s like to live during a pandemic. But I would have preferred to do my research in a library.

For more information about David Kubicek’s books click here.

Ghost Tales for Halloween

by David Kubicek

 

Here are a few ghost tales for Halloween. I’ve always been fascinated by true ghost stories.  I longed to see a real ghost but never quite reached that goal. I have, however, had some close encounters of the ghostly kind. These stories are true in the sense that the ghostly encounters happened to me or people I know.

The Ghost in the Library

The first was when I was very young–nine, ten, or 11. While my Dad was grocery shopping in the Havelock business district I went to check out the local library. It was an old, creaky-looking building–this was before the new branch was built.

I think my sister was with me, but I it was so long ago that can’t remember. When we got past the front door, there were some steps leading up to the library proper. We heard the clacking of a typewriter at the top of the stairs, but when we reached the top step, the sound stopped suddenly.

We peered around the corner, and no one was sitting at the desk. No one was in sight at all. That’s as far as we got with our explorations. We were out of there.

The Flasher

My next encounter was several years later, when I was in my late teens. It was Halloween night. After the trick-or-treaters had all gone home, I went for a walk. It was nearing the witching hour.

The streets were deserted. The light breeze swept dry leaves along the pavement, making scrabbling sounds like many tiny footsteps. In one intersection, was a pile of smashed Jack-o-lanterns, which I presumed some tricksters had collected from neighborhood doorsteps.

Then, as I was walking past a park, I saw a flash down among the trees. It was a big globe of blue light that expanded  and then disappeared. I decided to check it out, but it was moving, too.

I followed it for several blocks, and it always remained a couple of blocks ahead of me. Every time when I thought I had lost it and was about to turn  back, it would flash again, as if it had read my mind.

I never did catch the thing. It looked like the flash made by a flashbulb like the ones photographers used before they had electronic flash (in Alfred Hitchcock’s Rear Window, incapacitated photographer Jimmy Stewart uses flashbulbs to temporarily blind a murderous Raymond Burr).

The problem was, I was close enough and had followed the flash far enough and the terrain was well lit enough, that I should have been able to see a person operating the flash. But I saw nothing. Just a disembodied flash. And the only sounds I heard were the skeletal tree branches knocking together and the dry leaves scrabbling across the pavement like disembodied footsteps.

Murder on the Street Corner

Fast forward many years to when I was married. My wife, Cheryl, was into ghosts and horror as much as I. Her favorite author was Stephen King. We happened upon a copy of Alan Boye’s A Guide to the Ghosts of Lincoln and decided to visit some of the hot spots of paranormal activity.

One stop was a certain street corner on the south central side of town where it was said that a murder had been committed. The corner on which the poor wretch had died was supposed to be several degrees cooler than any of the other three corners of that intersection.

We stopped at the intersection and did an in-depth scientific experiment–we stood on each of the four corners to feel if the temperature dropped on any of them.

On the corner where the alleged murder took place, it was definitely cooler. We deduced that the drop in temperature may have been due to three of the corners being in direct sunlight, whereas the fourth, the one where we stood, had a shade tree.

Haunted University

Cheryl had a couple of ghostly encounters when she worked the late shift for the custodial department at the University of Nebraska–Lincoln.

The first was in the Temple Building, which housed the school of dramatic arts, where it was rumored that some workers had died during its construction. She was working on a lower floor one night when the building was supposed to be empty, and she heard sounds coming from one of the top floors. She followed the sounds up and up until she came upon a group of theater students who were rehearsing.

Her other encounter was in Love Library. She was a custodial leader then, and her team was spooked by sounds coming from the top floor late at night–things like high heels clicking down the tiled hall and doors opening and closing.

Cheryl heard these sounds, too, but when she went to investigate, no one was up there. No one that she could find, anyway. The top floor was deserted. Only empty desks and the book stacks. No sign of any recent human activity.

For additional reading check out Horror Stories for the Halloween Season and my very short horror story, “Unblinking Eyes”, which appeared last Halloween season in the online publication, Theme of Absence.

For more information about David Kubicek’s books click here.

American History Trivia: The Other First President

by David Kubicek

When I was in my mid-teens, I teamed up with my sister in a local radio station’s American history trivia contest to win a $40-assortent of fireworks for two years in a row. We also learned the identity of America’s other first president.

A local radio station ran a contest where the announcer would ask a trivia question about early American history, and the caller who had the right answer won an assortment of fireworks valued at $40–and in those days, $40 could buy a lot more fireworks than it can today.

Today, radio stations announce that the fifth caller, or the ninth caller, etc. will be given the opportunity to answer the question. But in those days, before radio stations got wise, they took the first caller.

I was probably 15 or 16, which would have made Maxine 10 or 11. When the radio personality announced that a question was coming up, I headed for the phone (there were no wireless phones in those days, either), and when the DJ started to ask his question, I dialed all but the final digit, having faith that we could pull the answer out of thin air.

The question was asked, and I dialed the final digit. I don’t remember how they phrased the question, but it was something like: “How did the settlers and the Indians [this was before “Native American” came into practice] refer to making peace?”

Both of our minds were blank. On the other end, the phone was ringing. So, under pressure, Maxine grabbed at the first thing she thought of: “Bury the hatchet!” That proved to be correct, and we collected our assortment of fireworks.

The following year, the question was: “Who was the first president born in the United States?” We were about to give the stock answer that every third grader knows: George Washington. But before I dialed the last digit, we pressed pause on that answer.

Washington was the first president, but he had been born in 1732 when the colonies were under British rule. The question was: “Who was the first president born in the United States.” In other words, who was the first president born after the colonies declared their independence in 1776.

Back in this primitive time not only did we not we have wireless phones, but we didn’t have Google. We did, however, have a crude predecessor of Google. It was called the World Almanac. 

Maxine looked up a list of presidents while I waited by the phone. I had hung up and would have to redial–another annoying thing about that era was that if you didn’t complete the number you were dialing in a certain amount of time, the system broke the connection, and it was dial tone city.

We were hoping that everyone who was calling in had not listened closely to the question, and they were triumphantly exclaiming “George Washington!” when the station answered. That evidently was what happened, because when I finally redialed–after what seemed an excruciatingly long time–no one had won the fireworks, so I gave what Maxine and I hoped was the right answer: Martin Van Buren, who was the eighth president but  the first to be born (in 1782) after the colonies had declared their independence.

That answer proved to be the one they were looking for, and we collected our second assortment of fireworks in as many years.

For more information about David Kubicek’s books click here.

The Most Important Writing Lesson I Learned

by David Kubicek

This is the most important writing lesson I learned: Don’t be afraid to stop for a moment to examine things in your story, whether they are physical wounds or the characters’ actions and emotions.

I learned this in a summer fiction workshop at the University of Nebraska–Lincoln more years ago than I care to count. I had turned in a story called “Clinical Evaluation” [pause for shameless self-promotion–it’s in my collection The Moaning Rocks and Other Stories]. A petty crook is shot during a liquor store robbery gone wrong, and his body is taken to the morgue where Willy, an inebriated custodian cleaning the morgue during the graveyard shift, imagines that this guy isn’t dead but only paralyzed and is trying to alert someone before the pathologist starts cutting on him in the morning.

The manuscript I turned in described the victim’s wound as a “gunshot wound to the head,” and that’s all. My teacher, Charlie Stubblefield, said he wanted to see a more detailed description of that wound. He wanted me to really get into that wound. So I did that in the revision.

“Clinical Evaluation” was the first story I sold, to an anthology of fiction, poetry, and artwork called The New Surrealists. But the lesson I had learned was not only about being specific with my descriptions. The lesson is: Don’t gloss over things, whether they are one-paragraph descriptions or entire scenes, if they are relevant to the story.

 I follow Elmore Leonard’s rule“I try to leave out the parts that readers skip”–so I sometimes find myself wanting to skim over something or cut it out entirely because I think it will slow down the story. But one thing you must keep in mind is that it will take you much longer to write a scene than it will take your reader to read it. So even if a scene seems to be moving slowly for you, your audience may zip through it quickly and enjoy reading it as much as you enjoyed writing it.

Just remember that each scene must have a reason for its existence. You are giving the readers information they need, or you’re moving the story forward characterwise or plotwise. This doesn’t mean that every scene that has a reason for being should be in the story. That’s something for you to judge in the second draft and for your beta readers to judge before you unleash your brainchild on an unsuspecting public. I always ask my beta readers to tell me what parts of the story they didn’t like and why–in particular, what parts of the story they wanted to skip.

You may think I’ve diverged quite a bit from describing that simple head wound, but I haven’t. The lesson I took away, the most important writing lesson I learned, is to not be afraid to stop for a moment to examine things in your story, whether they are physical wounds or the characters’ actions and emotions. Don’t summarize elements that may be important to your story, even if you may have doubts while writing the first draft. If something doesn’t work, you’ll find out soon enough, and you can fix it in a later draft.

For more information about David Kubicek’s books click here.