Education is a Life Long Commitment

by David Kubicek

“You don’t have to burn books to destroy a culture. Just get people to stop reading them.” – Ray Bradbury

Contrary to popular belief, having a college degree does not mean you’re educated. A degree is only the beginning of your education, the first tiny step. Education is a lifelong commitment. This is true for everyone but is especially true for writers.

Fortunately, I discovered this when I was in college. About midway through my course of study I took a good look at what I was learning. I was reading lots of books, writing lots of papers, and taking lots of tests. But what I really wanted to learn was how to analyze data and reach conclusions. I wanted to learning how to think. And the curriculum wasn’t helping me accomplish that goal.

I enrolled in the honors program, and under the supervision of a professor in the English Department, I undertook a research project which culminated in a thesis entitled Ray Bradbury: Space Age Visionary. I re-read all of Bradbury’s early work, analyzed it, and drew my own conclusions about it. The project was a good exercise in thinking for myself.

But even the thesis is only a beginning. I consciously made the decision not to pursue a graduate degree because I believed it would hamper my learning. Getting a degree is fine if you want to go into a particular line of work, like teaching, engineering, or business, etc. But you don’t need a degree to be a writer – the subject of my thesis, Ray Bradbury, only graduated from high school.

To be a writer you need a curiosity about everything, a hunger to learn how the world works, and a drive to understand people and why they do the things they do. You satiate this hunger by absorbing everything you can, soaking up information like a sponge. Read on a variety of topics, listen to a variety of music, watch films and TV, have new experiences, meet a variety of people, get out of your comfort zone once in a while.

There is an old Chinese parable about obtaining enlightenment – Imagine a palace with a beautiful courtyard. A young man peers through a tiny hole in the door, but he can’t see the whole courtyard at once. In middle-age he looks out on the courtyard through a small window; although he can see more, his view is still hampered. But as an old man he has thrown open the door and stands on the balcony where he can see the entire courtyard and beyond.

This illustrates the learning process throughout our lives; as we expand our horizons, the view becomes more clear.

To paraphrase Bradbury, stuff yourself with everything. The key is to continue to grow for the rest of your life by doing all the things I mentioned a couple of paragraphs ago. Don’t become stuck in time; continue to evolve. For writers, you can’t write about life thoroughly unless you strive to understand it – you never will understand it completely, but the important thing is that you continue to expand your world. For everyone else, the non-writers, you need to keep expanding your world or your world will become a cramped, cold place.

To understand our world and to change it for the better we must remember that a formal institution of learning cannot give us an education. Teachers and mentors can point the way, but ultimately we are all responsible for what we learn, and our education is a life-long commitment.

For more information about David Kubicek’s books click here.

Movies Without Writers: What They Would Look Like

What would movies without writers look like?

It has been said–or at least implied–that on Hollywood’s ladder of respect, the screenwriter is one rung below the janitor who cleans the studio. This short video, to paraphrase the angel from It’s a Wonderful Life, will give writers a rare gift, a chance to see what the movies would be like without them.

For information about David Kubicek’s books click here

Rejections of Famous Writers

by David Kubicek

Struggling writers take heart. Every now-famous writer collected rejection slips. As an incentive to struggling writers, I’ve put together this list of rejections of famous writers before they became famous.

I heard a speaker at a writing conference remark that many talented writers remain unpublished while the works of many marginal or bad writers find their way into print. Writers who keep sending their work out will eventually be published. 

Among the rejection slips I’ve  received, my favorite was from a science fiction anthology: a full-page drawing of a dragon dabbing at its eyes with a Kleenex as its tears flowed down.  It was much funnier than these meager words can describe. I once showed it to a friend, also a science fiction writer, who didn’t find it quite as amusing. It’s a matter of attitude; I couldn’t do anything about the rejection, and it was a change of pace from the usual, uninspired  form letter.

For any aspiring writers out there who have trouble staying motivated in the face of an expanding  file of rejections, perhaps this list of the receptions of some famous authors and their work will help.

  • Crash by J.G. Ballard: “The author of this book is beyond psychiatric help.”
  • Dr. Seuss: “Too different from other juveniles on the market to warrant its selling.”
  • Torrents of Spring by Ernest Hemingway: “It would be extremely rotten taste, to say nothing of being horribly cruel, should we want to publish this.”
  • The San Francisco Examiner, rejecting Nobel Prize winner Rudyard Kipling: “I’m sorry, Mr. Kipling, but you just don’t know how to use the English language.”
  • Lust for Life, Irving Stone‘s historical novel about Vincent Van Gogh: “A long, dull novel about an artist.” Sixteen publishers rejected the novel. When it finally saw print it sold more than 25 million copies.
  • Jonathan Livingston Seagull by Richard Bach: “Jonathan Livingston Seagull will never make it as a paperback.” The novel eventually sold to Avon Books and racked up sales of more than 7.25 million copies.
  • Tony Hillerman, best known for his Navajo Tribal Police mystery novels was advised by publishers to “Get rid of all that Indian stuff.”
  • The War of the Worlds by H.G. Wells: “An endless nightmare. I do not believe it would ‘take’ … I think the verdict would be ‘Oh don’t read that horrid book.'”
  • Although Emily Dickinson published only seven poems in her lifetime, an early rejection advised her: “(Your poems) are quite as remarkable for defects as for beauties and are generally devoid of true poetical qualities.”
  • Animal Farm by George Orwell: “It is impossible to sell animal stories in the USA.”
  • So many publishers rejected The Tale of Peter Rabbit that Beatrix Potter published it herself.
  • Lord of the Flies by Nobel Prize winner William Golding: “An absurd and uninteresting fantasy which was rubbish and dull.”
  • One publisher to another  on John le  Carre‘s The Spy Who Came in From the Cold: “You’re welcome to le Carre—he hasn’t got any future.”
  • The Clan of the Cave Bear by Jean Auel: “We are very impressed with the depth and scope of your research and the quality of your prose. Nevertheless … we don’t think we could distribute enough copies to satisfy you or ourselves.”
  • The Deer Park by Norman Mailer: “This will set publishing back 25 years.”
  • Carrie by Stephen King: “We are not interested in science fiction which deals with negative utopias. They do not sell.”
  • And my favorite:
  • Sanctuary by Nobel Prize winner William Faulkner: “Good God, I can’t publish this!”

Fiction editing is a subjective process. There will always be editors who think your writing is crap, but there are also editors who will be enthusiastic about it. You just have to find them. And the only way to find them is to keep sending out your work.

For more information about David Kubicek’s books click here.