Subliminal Messages in Rock Music

by David Kubicek

(Dedicated to my brother John)

Back in the late 1970s or early 1980s, a religious group claimed that subliminal messages in rock music were converting unsuspecting kids to satanism. All you had to do, they said, was play the songs backwards to reveal the satanic commands.

My brother John and I were skeptical, but we thought it would be great fun to play some popular songs backwards just to see if anything turned up. Call it a scientific experiment, if you will.

Back in those technology-challenged days, playing a song backwards was a chore. Our process consisted of recording the songs on a cassette tape, opening up the cassette, flipping the tape over, and reassembling the cassette. The result was that when we played the tape, we would hear the songs backwards.

We checked out three singers/bands. It took us an entire Saturday from early morning to late into the evening because after we’d prepared the songs to be played backwards, we had to listen to them closely to ferret out any potentially satanic messages.

We started with Kenny Rogers, who was really more country than rock, and came up empty. Then we tried Billy Joel, who was a little more of a rocker, but still we got nothing.

John said, “Kenny Rogers and Billy Joel just don’t look like they’d be in league with the Devil.” He pulled out another album, showed me a picture of the band and said, “If anyone is putting satanic messages in their music, it’s these guys.”

QueenThe band was Queen, and we struck paydirt. I’m not saying that this is proof positive that Queen embedded satanic phrases in their music, but some of the words sounded ominous to us.

We found several satanic-sounding phrases, but since so many years have passed, I’ve forgotten most of them. Two of them, however, were so memorable that they remained with me through the years.

In “Bohemian Rhapsody” we found the chant, repeated several times: “One now one, one now one…” Perhaps that could mean, “we are one with the devil?” In another song we found: “I….want your heart.” A romantic might think of that as a lovesick guy pining for his true love’s heart. But, given our fascination with the macabre, we went another way and interpreted it as a guy expressing his desire to cut out someone’s still-beating heart and offer it as a sacrifice to the Evil One.

On a side note, John introduced me that day to the Queen song ’39, which I love because it is a science fiction song based on Einstein’s Theory of Relativity. That’s something you usually don’t hear in connection with a rock band. ’39 tells the story of a band of volunteers who sail in a (space) ship across the milky seas (the Milky Way Galaxy) looking for a new world because the Earth is “old and gray.” They return after one year has passed for them, but 100 years have passed on Earth. On top of all that, it is a tragic love story. It’s pretty cool; give it a listen.

For information about David Kubicek’s books click here.

Voices From the Plains, Vol. IV, Released

Voices From the Plains IVby David Kubicek

The Fourth Volume of the Nebraska Writers Guild’s annual anthology was released in early December, 2020. The list price for the eBook is $3.99, the list price for the paperback is $16.99, and both versions are now available from Amazon

Voices From the Plains, Volume IV, features 42 authors and 75 creative works, broken down into the categories of poetry, essays, short stories, nonfiction, excerpts from novels, memoirs, and flash fiction. My story “It Gets Lonely on the Third Floor” is included in the short story section.

Voices From the Plains, Vol. IV, is dedicated to the memory of Cort Fernald, who passed away in 2020. Cort was a driving force behind the Voices from the Plains series.

One of the oldest continuous writers organizations in the United States, the Nebraska Writers Guild was founded in 1925 and counts Mari Sandoz, Bess Streeter Aldrich, John G. Neihardt, and Willa Cather among its first members. 

For more information about David Kubicek’s books click here.

Ray Bradbury, the Salvation Army, and I

by David Kubicek

“You don’t have to burn books to destroy a culture. Just get people to stop reading them.”–Ray Bradbury

 

Fahrenheit 451The Martian ChroniclesThe Stories of Ray Bradbury

Forgive me for the tardiness of this tribute to visionary writer Ray Bradbury. I had intended to post it on the 99th anniversary of  his birth (Thursday, August 22), but my internet chose that day to have a spaz attack.

The Great Experiences

Ray Bradbury said there are three great experiences; the first is birth, the second is life, and the third is death. After a career spanning more than 70 years, he embarked on the third of those adventures on June 5, 2012, at the age of 91. For a while, on the 99th anniversary of his birth, Ray Bradbury was the top trending topic on Twitter, which means that lots and lots of people where tweeting about him–a rare thing for even a living writer.

Although Bradbury is most famous for his science fiction and fantasy, he also wrote horror, mystery/crime and mainstream stories, not to mention poetry, stage plays, teleplays and screenplays.

My Writing Mentor

Bradbury was my first writing mentor. I was an amateur astronomer during my high school years and devoured every book on astronomy at the local library. One day my mother gave me a paperback book she’d picked up in the 25-cent bin at the Salvation Army store. Since it involved space, she thought I might be interested, but she warned me that it was fiction.

That book was The Martian Chronicles, and I could not put it down. By the time I had finished reading it, I was determined to be a writer and write cool stories like Bradbury. My first step was to haunt the bookstores, the libraries and the paperback racks in drugstores until I had found and read every Bradbury book in print.

 My Study of Ray Bradbury

A few years later, at the University of Nebraska-Lincoln (UNL), I wanted to write a thesis about the influences of Bradbury’s early life on his writing. When searching for an advisor, I discovered something that amazed me–not everyone was a Bradbury fan, and the first few professors I approached turned me down.

The professor who finally agreed to supervise my work, Robert Bergstrom, had never read Bradbury before he agreed to take on the project, and our association continued long after the thesis was finished. Bob was a Beta Reader of my own fiction–including my novel In Human Form–for many years after I graduated.

The thesis took longer to write than I’d planned (about two years), and it was twice as long as it needed to be–I was required to write 40 pages but ended up with 80 because I had so much to say. In fact, years later, the editor of CliffsNotes mistook it for a Master’s thesis, so my credit on the CliffsNotes I wrote for Willa Cather’s My Antonia reads: David Kubicek, M.A., University of Nebraska.

Contacting My Mentor

I never met Bradbury, but in the few letters we exchanged, I found that he lived up to his reputation as a generous champion of budding writers . I was relieved–it can be a serious downer if one learns that one’s hero is a d*ck. We first made contact when I sent him a copy of my thesis. In the accompanying letter, I mentioned the dearth of information about him when I was doing my research.

Within a week I got a package from Bradbury. I was a little suspicious at first. I listened to it to see if it was ticking (I had said one or two things in my critique of his work that a writer might not be overjoyed to hear, but in my defense, I had tried to be objective). But it wasn’t a bomb–it was a copy of galleys for a book about Bradbury’s work that was scheduled for publication.

Curiously, my thesis–Ray Bradbury: Space Age Visionary–is listed on Amazon as “out of print–limited availability,” although it was, technically, never in print to begin with since only six photocopies had been distributed. My guess is that Amazon’s spider, while scrambling over the web, crawled up on the Special Collections cyber-pile at UNL’s Love Library, which had one of the six copies in circulation.

Bradbury’s Advice for Living

When I was researching my thesis, I came across this Bradbury quote in Writer’s Digest:

“I absolutely demand of you and everyone I know that they be widely read in every damn field there is; in every religion and every art form and don’t tell me you haven’t got time…! Stuff yourself with serious subjects, with comic strips and motion pictures and radio and music; with symphonies, with rock, with everything!”

Years later I realized that I had unconsciously followed his advice. I developed a great curiosity about many subjects, did lots of reading, listened to lots of different types of music, watched lots of movies, had lots of life experiences, etc. Every writer needs curiosity to properly explore the things he or she writes about, and I highly recommend that everyone–especially aspiring writers–follow Bradbury’s advice.

The Bradbury ChroniclesFor more about this amazing man, read The Bradbury Chronicles by Sam Weller, Ray Bradbury’s authorized biographer. I wish this book had been available when I was writing my thesis. Weller’s book is a great read and provides a wealth of information about a writer who has touched our imaginations and our culture. Every Bradbury fan should have this book in his or her collection. NOTE:  The hardcover edition was published several years before Bradbury’s death, but Weller has added a final chapter to the Kindle edition covering the author’s last years.

For more information about David Kubicek’s books click here.

The Celebrity Taboo Controversy

by David Kubicek

Years ago my wife, Cheryl, left her job at the University of Nebraska–Lincoln for greener pastures with another company, so we threw a party to celebrate. As often happens at parties, people break off into groups to talk about different things or to do different things or to play games. My brother, John, and I found ourselves in a group with others who were playing the game Celebrity Taboo. Little did we know that we were about to instigate a minor controversy.

In Celebrity Taboo, you pair up, and the teams compete against one another. One partner draws the name of a celebrity and gives the other partner clues to his or her identity, which the partner must guess within a set amount of time to earn points. If you guess the celebrity before your time is up, your partner keeps drawing cards and giving clues until your time runs out. On the card is a list of taboo words which the clue-giving partner is forbidden to say.

After a while, we decided as a group that we were having more fun guessing the celebrities than we were playing by the game’s rules. So we opted to have one person give the clues while the rest of us guessed. John volunteered to be the clue-giver.

That’s when the trouble started. Most of the time I quickly guessed the celebrity, which irritated a friend of ours who accused John of signaling the answers to me. Of course, we denied this allegation, but our friend was not convinced. He declared that if we didn’t stop it, someone else should be the clue-giver.

The last straw was broken when John drew a card and said: “This guy’s birthday is March 6.” Immediately I said: “Michelangelo!”, which was correct.

Our friend said: “That does it!” He snatched the clue box away from John and gave it to another member of the group.

I could not convince our friend that because John knew how I thought and I knew how he thought, and because of our shared experience in many areas, he was able to give clues that clicked in my mind. Take the Michelangelo one, for example.

John and I both worked with computers on our jobs. Not long before this party, everyone who worked with computers was terrified of a virus that was set to go off on a certain day and crash any system that it had invaded.  I was working with CliffsNotes at the time, and the editor told me that they weren’t even going to turn on their computer system that day.

Although this virus was mentioned in the media, it didn’t stick in the minds of people whose work lives didn’t revolve around computers–which included everyone in our Celebrity Taboo group except for John and me.

The virus was called the Michelangelo Virus because it was programmed to shut down the computing world on March 6–Michelangelo’s birthday. And since this party took place in April of that year, the Michelangelo Virus scare was still fresh in our minds.

I guess, looking back on this incident, John was signaling me in a way; he was giving clues he believed I would be able to pick up on. But isn’t that the point of Celebrity Taboo?

For more information about David Kubicek’s books click here.

Education is a Life Long Commitment

by David Kubicek

“You don’t have to burn books to destroy a culture. Just get people to stop reading them.” – Ray Bradbury

Contrary to popular belief, having a college degree does not mean you’re educated. A degree is only the beginning of your education, the first tiny step. Education is a lifelong commitment. This is true for everyone but is especially true for writers.

Fortunately, I discovered this when I was in college. About midway through my course of study I took a good look at what I was learning. I was reading lots of books, writing lots of papers, and taking lots of tests. But what I really wanted to learn was how to analyze data and reach conclusions. I wanted to learning how to think. And the curriculum wasn’t helping me accomplish that goal.

I enrolled in the honors program, and under the supervision of a professor in the English Department, I undertook a research project which culminated in a thesis entitled Ray Bradbury: Space Age Visionary. I re-read all of Bradbury’s early work, analyzed it, and drew my own conclusions about it. The project was a good exercise in thinking for myself.

But even the thesis is only a beginning. I consciously made the decision not to pursue a graduate degree because I believed it would hamper my learning. Getting a degree is fine if you want to go into a particular line of work, like teaching, engineering, or business, etc. But you don’t need a degree to be a writer – the subject of my thesis, Ray Bradbury, only graduated from high school.

To be a writer you need a curiosity about everything, a hunger to learn how the world works, and a drive to understand people and why they do the things they do. You satiate this hunger by absorbing everything you can, soaking up information like a sponge. Read on a variety of topics, listen to a variety of music, watch films and TV, have new experiences, meet a variety of people, get out of your comfort zone once in a while.

There is an old Chinese parable about obtaining enlightenment – Imagine a palace with a beautiful courtyard. A young man peers through a tiny hole in the door, but he can’t see the whole courtyard at once. In middle-age he looks out on the courtyard through a small window; although he can see more, his view is still hampered. But as an old man he has thrown open the door and stands on the balcony where he can see the entire courtyard and beyond.

This illustrates the learning process throughout our lives; as we expand our horizons, the view becomes more clear.

To paraphrase Bradbury, stuff yourself with everything. The key is to continue to grow for the rest of your life by doing all the things I mentioned a couple of paragraphs ago. Don’t become stuck in time; continue to evolve. For writers, you can’t write about life thoroughly unless you strive to understand it – you never will understand it completely, but the important thing is that you continue to expand your world. For everyone else, the non-writers, you need to keep expanding your world or your world will become a cramped, cold place.

To understand our world and to change it for the better we must remember that a formal institution of learning cannot give us an education. Teachers and mentors can point the way, but ultimately we are all responsible for what we learn, and our education is a life-long commitment.

For more information about David Kubicek’s books click here.